{"id":1298,"date":"2024-04-04T08:42:52","date_gmt":"2024-04-04T08:42:52","guid":{"rendered":"https:\/\/inclusivehumanities.barbaravignoli.it\/la-colpa-di-essere-donna-ofelia-fra-riscritture-e-iconografia\/"},"modified":"2024-10-15T11:39:05","modified_gmt":"2024-10-15T11:39:05","slug":"the-guilt-of-being-a-woman-ophelia-between-rewritings-and-iconography","status":"publish","type":"post","link":"https:\/\/inclusivehumanities.eu\/en\/the-guilt-of-being-a-woman-ophelia-between-rewritings-and-iconography\/","title":{"rendered":"&#8220;The Guilt of Being a Woman: Ophelia Between Rewritings and Iconography&#8221;"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-940\" src=\"http:\/\/inclusivehumanities.barbaravignoli.it\/wp-content\/uploads\/2024\/07\/La-Prof.ssa-Sandra-Pietrini-in-collegamento-dallUniversita-di-Trento-per-lincontro-Ofelia-tra-riscrittura-e-iconografia.png\" alt=\"La Prof.ssa Sandra Pietrini in collegamento dall'Universit\u00e0 di Trento per l'incontro Ofelia tra riscrittura e iconografia\" width=\"1200\" height=\"600\" srcset=\"https:\/\/inclusivehumanities.eu\/wp-content\/uploads\/2024\/07\/La-Prof.ssa-Sandra-Pietrini-in-collegamento-dallUniversita-di-Trento-per-lincontro-Ofelia-tra-riscrittura-e-iconografia.png 1200w, https:\/\/inclusivehumanities.eu\/wp-content\/uploads\/2024\/07\/La-Prof.ssa-Sandra-Pietrini-in-collegamento-dallUniversita-di-Trento-per-lincontro-Ofelia-tra-riscrittura-e-iconografia-300x150.png 300w, https:\/\/inclusivehumanities.eu\/wp-content\/uploads\/2024\/07\/La-Prof.ssa-Sandra-Pietrini-in-collegamento-dallUniversita-di-Trento-per-lincontro-Ofelia-tra-riscrittura-e-iconografia-1024x512.png 1024w, https:\/\/inclusivehumanities.eu\/wp-content\/uploads\/2024\/07\/La-Prof.ssa-Sandra-Pietrini-in-collegamento-dallUniversita-di-Trento-per-lincontro-Ofelia-tra-riscrittura-e-iconografia-768x384.png 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/p>\n<p>The seminar \u201c<strong>The Guilt of Being a Woman: Ophelia Between Rewritings and Iconography<\/strong>\u201d, led by <strong>Sandra Pietrini<\/strong> from the University of Trento, took place on Wednesday, 3 April, as part of the \u201cAccessing Ophelia\u201d project, a sub-project within the literary scope of \u201cInclusive Humanities. Development Perspectives in Research and Teaching of Foreign Languages and Literatures\u201d (2023-2027).<\/p>\n<p>The event, organized by Dr. Emanuel Stelzer from the department of Foreign Languages and Literatures, delved into the figure of Ophelia, one of the main female characters in <strong>Shakespeare\u2019s tragedy<\/strong> <strong><em>Hamlet<\/em><\/strong>. Over the centuries, Ophelia\u2014through the rewritings of the tragedy and in iconography\u2014has been taken as a symbol of virginal and innocent purity, of a lunar femininity destined to succumb. Through a historical overview aimed at identifying the characteristics assumed by the character in various eras and contexts, the seminar sought to offer a piece to help better understand Shakespeare\u2019s attitude towards women, as well as to identify the meaning behind certain traits attributed to Ophelia in the centuries that followed, when the reinterpretation of her figure, often central to the tragedy\u2019s pathos, created deep resonances in the collective imagination.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The seminar \u201cThe Guilt of Being a Woman: Ophelia Between Rewritings and Iconography\u201d, led by Sandra Pietrini from the University of Trento, took place on Wednesday, 3 April, as part of the \u201cAccessing Ophelia\u201d project, a sub-project within the literary scope of \u201cInclusive Humanities. Development Perspectives in Research and Teaching of Foreign Languages and Literatures\u201d [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":943,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[64],"tags":[],"class_list":["post-1298","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/inclusivehumanities.eu\/en\/wp-json\/wp\/v2\/posts\/1298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inclusivehumanities.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inclusivehumanities.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inclusivehumanities.eu\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/inclusivehumanities.eu\/en\/wp-json\/wp\/v2\/comments?post=1298"}],"version-history":[{"count":3,"href":"https:\/\/inclusivehumanities.eu\/en\/wp-json\/wp\/v2\/posts\/1298\/revisions"}],"predecessor-version":[{"id":1300,"href":"https:\/\/inclusivehumanities.eu\/en\/wp-json\/wp\/v2\/posts\/1298\/revisions\/1300"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/inclusivehumanities.eu\/en\/wp-json\/wp\/v2\/media\/943"}],"wp:attachment":[{"href":"https:\/\/inclusivehumanities.eu\/en\/wp-json\/wp\/v2\/media?parent=1298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inclusivehumanities.eu\/en\/wp-json\/wp\/v2\/categories?post=1298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inclusivehumanities.eu\/en\/wp-json\/wp\/v2\/tags?post=1298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}